Sinopsis: Suatu Guild disebut “Fairy Tail”. Fairy Tail Bertempatkan di Kota Magnolia, yang berada di Kerajaan Fiore, dan saat ini diatur oleh Makarov, master Guild. Plate from,, dated c. 520–500 BC, showing an satyr holding an, a kind of ancient Greek Grouping Sub grouping Other name(s) Country Habitat Forests, woodlands, mountains, and other remote areas far from human civilization In, a satyr (: σάτυρος satyros, pronounced ), also known as a silenos (: σειληνός seilēnos), is a male with ears and a tail resembling those of a horse, as well as a permanent, exaggerated. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their and were known as lovers of wine, music, dancing, and women. They were companions of the god and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape and mortal women alike, usually with little success. They are sometimes shown or engaging in. In, satyrs made up the in a genre of play known as a ', which was a parody of and was known for its bawdy and obscene humor. The only complete surviving play of this genre is by, although a significant portion of 's has also survived. In mythology, the satyr is said to have challenged the god to a musical contest and been for his. 311 transistor lyrics. Though superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr was the tutor of the young Dionysus and a story from told of a silenos who gave sound advice when captured. Over the course of Greek history, satyrs gradually became portrayed as more human and less bestial. They also began to acquire goat-like characteristics in some depictions as a result of conflation with the Pans, plural forms of the god with the legs and horns of goats. The Romans identified satyrs with their native nature spirits. Eventually the distinction between the two was lost entirely. Since the, satyrs have been most often represented with the legs and horns of goats. Representations of satyrs cavorting with nymphs have been common in western art, with many famous artists creating works on the theme. Since the beginning of the twentieth century, satyrs have generally lost much of their characteristic obscenity, becoming more tame and domestic figures. ![]() They commonly appear in works of and, in which they are most often referred to as 'fauns'. The goat on the left has a short goat tail, but the Greek satyr on the right has a long horse tail, not a goat tail (Attic ceramic, 520 BC). In archaic and classical Greek art, satyrs are shown with the ears and tails of horses. They walk upright on two legs, like human beings. They are usually shown with bestial faces, snub noses, and manelike hair. They are often bearded and balding. Like other Greek nature spirits, satyrs are always depicted nude. Sometimes they also have the legs of horses, but, in ancient art, including both vase paintings and in sculptures, satyrs are most often represented with human legs and feet. Satyrs' genitals are always depicted as either erect or at least extremely large. Their erect phalli represent their association with wine and women, which were the two major aspects of their god 's domain. In some cases, satyrs are portrayed as very human-like, lacking manes or tails. As time progressed, this became the general trend, with satyrs losing aspects of their original bestial appearance over the course of Greek history and gradually becoming more and more human. In the most common depictions, satyrs are shown drinking wine, dancing, playing flutes, chasing nymphs, or consorting with Dionysus. They are also frequently shown masturbating or copulating with animals. In scenes from ceramic paintings depicting satyrs engaging in orgies, satyrs standing by and watching are often shown masturbating. Behavior [ ]. A bald, bearded, horse-tailed satyr balances a winecup on his penis, on an Attic red-figure ( c. 500–490 BC) In Dionysius's fragmentary satyr play Limos ( Starvation), Silenus attempts to give the hero an. A number of vase paintings depict scenes from satyr plays, including the Pronomos Vase, which depicts the entire cast of a victorious satyr play, dressed in costume, wearing shaggy leggings, erect phalli, and horse tails. The genre's reputation for crude humor is alluded to in other texts as well. In 's comedy, the tragic poet declares that a dramatist must be able to adopt the of his characters in order to successfully portray them on stage. In lines 157–158, Euripides's unnamed relative retorts: 'Well, let me know when you're writing satyr plays; I'll get behind you with my hard-on and show you how.' This is the only extant reference to the genre of satyr plays from a work of ancient Greek comedy and, according to Shaw, it effectively characterizes satyr plays as 'a genre of 'hard-ons.' ' In spite of their bawdy behavior, however, satyrs were still revered as semi-divine beings and companions of the god Dionysus.
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